October 2019 – Lecture on Crossing The Line to MFA dramaturgy students at Yale.
October 2019 – Fence 28 Atlanta
October 2019 – Participated in Theatrical Translation as Creative Process, a symposium at University of North Carolina Chapel Hill, led by Chair of the drama Department Adam Versenyi
October 2019 – Rehearsed Reading of Chair at Clapham Omnibus as Development Producer / Dramaturg with playwright Yves Baigneres and Director Giles Croft
September – Ogmius project management meeting in Bradford with Mind The Gap, Compagnie de l’Oiseau-Mouche and Moomsteatern.
September – Facilitated inaugural project management meeting of the EU Creative Europe funded Trasna Na Line (TNL) Project as part of the Crossing The Line partnership, Warsaw
September 2019 – directed rehearsed reading of My Heart is in the East,with Jessica Litwak (playwright / performer) New York, Fred Fortas (performer) Paris and Rosie Parker (Creative Associate) London, towards an international production in summer 2020 of Jessica’s new play set now and in 11th Century Cordoba. Jessica has also been developing this with La Mama in New York, where it had a workshop production in Spring 2017. My Heart is in the East was originally read at Graeae in Autumn 2015.
June 2019 Successful bid to EU Creative Europe for Trasna Na line, an extension of the Crossing The Line partnership with Moomsteatern (Malmo), Compagnie de l’Oiseau-Mouche (Roubaix), Theatr 21 (Warsaw), Theater Babel (Rotterdam) and Blue Teapot (Galway). I will work as Project Dramaturg 2019-21.
June 2019 – Planning meeting for UK Ogmius activity with Mind The Gap in Bradford.
June 2019 – Workshop modelling theatre for and with young people for the Slovenian Theatre Institute in Ljubljana. Planning for 2021 Fence meeting with them and Kim Komljanec.
June 2019 – Fence 27 in Sofia with Arte Urbana Collectif. Workshop for scientists on improving their presentation and performance skills with Sara Clifford.
May 2019 – Guest Dramaturg for Blue Teapot in Galway, working with playwright Charlene Kelly and Lead Dramaturg Eileen Gibbons on Charlene’s New Play Into The Dark Woods.
April 2019 – Expert presenter at Un-Label’s Impart Creative Exchange Lab at the Akademie der kulturellen Bildung des Bundes und des Landes in Remscheid near Cologne
March 2019 – Presentation of The Fence network to the Fabulamundi Project Playwriting Europe partners at the National Theatre in Lisbon.
March 2019 – Workshop Presenting yourself – Being present for the extra-curricular programme of the King’s College Careers Service.
March 2019 – Guest Dramaturg for Blue Teapot in Galway, working with playwright Charlene Kelly and Lead Dramaturg Eileen Gibbons on Charlene’s New Play Into The Dark Woods.
February 2019 – Took It As Read or The Curious Incident of The Fog in the Sight line, presentation on Sarah Kane and Mental Health in performance for students on the Beautiful Minds programme at King’s College
February 2019 – Project Dramaturgy on the Support Worker / Educateur Specialisé job shadowing at Compagnie de l’Oiseau-Mouche, Roubaix, as part of the Erasmus + EU funded project: Ogmius
January 2019 – Panelist for Contemporary European Drama in Translation at Central School of Speech and Drama
December 2018 Submitted (successful) Small Co-operation Project bid to the Creative Europe programme of the EU for an expansion of the Crossing The Line project.
December 2018 – Project Dramaturgy with the first Ogmius artist residency with Compagnie de l’Oiseau-Mouche in Roubaix.
November 2018 – January 2019 Dramaturgy with Vici Wreford-Sinnott on her new projects, for Little Cog @ The Arc Stockton-on-Tees
October 2018 Direction and Script Editing on Festival du Mort at the Bazar Cafe, La Charite-sur-Loire
October 2018 – January 2019 teaching Introduction to Dramaturgy module to First Year BA Students at Goldsmiths for Danny Braverman.
September 2018 closed reading of Chair, by Yves Baigneres, with actors and director Giles Croft at Goldsmiths.
August & November 2018 Dramaturgy with Pauline Heath on her Never Neverland project, for Little Cog & The Arc Stockton-on-Tees
August 2018 Completed 4 year stint as External Examiner BA Drama & Scriptwriting at Northumbria University.
June 2018 Directed Four- day R&D on My Heart is in The East with Jessica Litwak, Fred Fortas & Rosie Parker at Bazar Cafe, La Charite-sur-Loire.
May 2018 with support from Erasmus +, worked with Event Production students at the Creative Industries Department of the Vilnius Gediminas University on the last 24 hours of preparation of their production.
March 2018 Fence 26 as part of D-CAF, the Downtown Contemporary Arts Festival in Cairo
February 2018 Curated playwrights, from Turkey, Serbia, Montenegro and Romania to Hong Kong for a 4-day translation workshop of new plays for young people, for AFTEC
January 2018 Submitted (unsuccessful) Large Co-operation Project bid to the Creative Europe programme of the EU for an expansion of the Crossing The Line project.
October 2017 Ireland has struck oil – but will it be Norway or Nigeria? – a live performance and audio podcast around a near future scenario with The Fence as part of King’s College’s Arts and Humanities Festival: World Service, with Gabriel Gbadamosi and Professor Max Saunders. Part of a planned series – All Our Tomorrows
You can listen to a podcast of the event
August 2017 Directed Two-day workshop on My Heart is in The East with Jessica Litwak and Fred Fortas
May 2017 Fence 25 as part of the Festival du Mot, with The Hopper Project at La Charite sur Loire
March 2017 Fence 24 as part of the Cultural Festival in Rokiskis, Lithuania
January 2017 Crossing The Line Festival in Roubaix (read my interview with journalist Bella Todd for Disability Arts International)
October 2016 Completed 10 year stint as External Assessor on the MA in Scriptwriting at UEA.
August 2016 Directed Two-day workshop on My Heart is in The East with Jessica Litwak and Fred Fortas
June 2016 Dramaturgy on Alexander Raptotasios’ The Macbeths for LAMDA
May 2016 Fence 23 as part of the Festival du Mot at La Charite sur Loire
April 2016 Fence 22 as part of the International Theatre Festival in Istanbul, also in partnership with Eurodram, supported by Allianz Stifting
March 2016 Curated 2 Swedish playwrights, 2 UK playwrights with myself and Edward Bromberg as dramaturgs, to Hong Kong for a translation workshop of new plays for young people, for AFTEC
March 2016 Launched Matt Hargrave’s book: Good, Bad or Plain Ugly; Theatres of Learning Disability, at the Disability Research Centre, Goldsmiths
October 2015 Keynote Speaker at the first convening on Relaxed Performances in China in Hong Kong October 2015, with Vicki Ooi and Lynn Yau at AFTEC
June 2015: Fence 21 as part of the Schillertage Festival at The Nationalteater in Mannheim and also in partnership with TiG7. Theme – Closed Societies.
May 2015 Directed Rehearsed reading with Jessica Litwak on My Heart is in the East, her new play set in 11th Century Cordoba. Jessica is also working on this with La Mama in New York
March 2015 Completed 18 months as Convenor, MA Writing for Performance & Dramaturgy, Goldsmiths
January 2015: Fence 20 Eugene O’Neill Theatre Centre, Connecticut and Lark Play Development Center New York, The Play Company and NITE
October 2014: Married Debbie Seymour. Jointly dramaturged the ceremony.
May 2014 : Fence 19 Prishtina, as part of Polip 4th Literature Festival and Heads of Committee meeting of Paris-based script-in-translation network Eurodram. (I am the Head of the English language committee)
March 2014 : Kings College London, presentation to students on the Beautiful Minds – Mental Health and The Arts module. “Took it as read. Or The Curious Incident of the Fog in the Sightline.”Sarah Kane, Theatre and Mental Health
February 2014 : Crossing The Line. Led the assembly and submission to Brussels of a bid for 2 years of new Creative Europe funding to bring together Europe’s three leading theatre companies working with professional, learning disabled theatre makers. (Mind The Gap, Bradford, Compagnie de l’Oiseau Mouche, Roubaix and Moomsteatern, Malmo).
Script Reader – Sonia Friedman Productions – for Jack Bradley
January 2014 : Fence 18 Eugene O’Neill Theatre Centre, Connecticut and Lark Play Development Center New York
December 2013: Two Schmucks, Three Opinions performances in London, Leeds and Somerset. Part of a series of try-outs of a new performance piece which I have co-written, co-directed and co-perform with Steve Tiller.
November 2013: Kuala Lumpur, dramaturgical work alongside playwright Peter Arnott with 35 Malaysian playwrights from across the country as part of a nationwide competition set up by the Ministry and delivered by Kakiseni. Trip curated by British Council
October 2013: Tbilisi, Georgian International Theatre Festival
September 2013: University of Reading – Creating New Writing 1945-2013) plenary panel discussion on new writing and the Arts Council (England)
June 2012 – September 2013 Project Dramaturg & Trainer – The Secret Listeners – Pascal Theatre Company – with Julia Pascal
November 2012 Co-ordinated Fence 17 in in Amsterdam, with MC, and Theater Instituut Nederland, SICA and The British Council
October 2012 Project Consultant – ACT Interreg Channel successful bid beginning with Royal Opera House, Theatre Is… , Gateway Academy School, Tilbury, Southend YMCA, Thurrock Council Music Services
September 2012 Thought Leader, Disability and Theatre symposium at The Kennedy Centre, Washington DC
October 2011 Co-Chair and Project Consultant – Theatre & Autism – SOLT/TMA – relaxed performances